by Mersad Berber (1940-2012)
Combined Techniques
1999
40 x 53cm
by Mersad Berber (1940-2012)
Combined Techniques
1999
48 x 52cm
by Mersad Berber (1940-2012)
Combined Techniques
1999
42.5 x 55cm
by Mersad Berber (1940-2012)
Combined Techniques
1999
48 x 67cm
by Mersad Berber (1940-2012)
Combined Techniques
1999
45 x 66cm
by Mersad Berber (1940-2012)
Silk Screen
2001
69 x 50cm
by Mersad Berber (1940-2012)
Lithography/Silkscreen
2004
44 x 68cm
by Mersad Berber (1940-2012)
Combined Techniques
2002
65.5 x 46cm
by Mersad Berber (1940-2012)
Combined Techniques
2000
50 x 70cm
by Mersad Berber (1940-2012)
Combined Techniques
1999
50 x 70cm
by Mersad Berber (1940-2012)
Giclée
61 x 76cm
by Mersad Berber (1940-2012)
Mixed Media on Paper
1998
49 x 68cm
by Mersad Berber (1940-2012)
Combined Techniques
2000
100 x 70cm
by Mersad Berber (1940-2012)
Combined Techniques
1996
96 x 60.5cm
by Mersad Berber (1940-2012)
Combined Techniques
2000
100 x 70cm
by Mersad Berber (1940-2012)
Combined Techniques
2000
100 x 70cm
by Mersad Berber (1940-2012)
Combined Techniques
2000
70 x 100cm
by Mersad Berber (1940-2012)
Combined Techniques
2000
100 x 70cm
by Mersad Berber (1940-2012)
Etching
70 x 100 cm
by Mersad Berber (1940-2012)
First and Third photographs courtesy of Cade Martin
by Mersad Berber (1940-2012)
by Mersad Berber (1940-2012)
mixed media
First photograph courtesy of Cade Martin
by Mersad Berber (1940-2012)
by Mersad Berber (1940-2012)
mixed media
45” x 62”
First photograph courtesy of Cade Martin
Belcharagh, Afghanistan. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
On Step Outside His Carpet Shop, Andhoy, Afghanistan. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Belcharagh, Afghanistan. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Near Balakot, Pakistan. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
IDP Camp Near Mansehra, Pakistan. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Belcharagh, Afghanistan. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Zam Zam Camp, North Darfur. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Zam Zam Camp, North Darfur. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Pondicherry India. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Peru. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Peru. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Zam Zam Camp, North Darfur. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Kaboul, Afghanistan. Photographer: Chip Duncan.
Limited number of prints. Each signed by the photographer.
Ships matted.
Shepard Fairey Limited Print
Shepard Fairey Limited Print
"Gun Culture"
Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.
In many ways, I see this image as predicting the increase in gun violence that has taken place in the ensuing years in New York City as well as the rest of the country. Thirty-three thousand people per year lose their lives from guns, and I attribute this to an American gun culture that glorifies gun ownership and puts gun rights ahead of safety. Jim Marshall's image was ominous to begin with, but it was important to me that I use the American flag and gun violence articles in the art, to make the connection between an ingrained gun culture as part of the fabric of America and the resulting devastatingly high statistics of gun violence.
Shepard Fairey Limited Print
"Two Americas"
Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.
In my illustration, I brought the figures of the family closer together to emphasize that love and support are essential to surviving hardship. My inclusion of news clippings about the perils and low wages of the coal mining industry are meant to illustrate the concept of 'Two Americas.' The America many of us like to believe in holds industrial power in high regard, but the less-talked-about America suffers from the low wages and health risks of that same industry.
Shepard Fairey Limited Print
Johnny Cash is one of my favorite musicians and also one of my favorite storytellers and social commentators. Cash felt compassion for the less fortunate, and I think his religious beliefs shaped his view that no human being is beyond redemption. He played live shows at San Quentin Prison and at Folsom Prison (where Jim Marshall shot the photograph that inspired my art piece) to do something kind for the inmates but also to draw attention to mass incarceration.
In this image, I wanted to capture Cash's iconic nature as well as the harsh exterior of Folsom Prison; Cash was fortunate enough to be standing outside rather than inside of this prison wall. Prisoners and prison rights are often looked over, and I felt it was important to incorporate news clippings and graphics relating to their difficulties and raise awareness. The United States has the highest incarceration rate on the planet, with almost 25 percent of the world's total prison population.
Shepard Fairey Limited Print
Janis Joplin in her apartment on Lyon Street, San Francisco 1968 by Jim Marshall Photography Limited-Edition Print.
Johnny Cash, photographed in 1969 by Jim Marshall Photography. Limited-Edition Print.
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Mark Viallancourt
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Christian Ceniceros
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Blaise Moreno
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Omar Rubio
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Rick Fulton
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Jesse Hembree
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Brian Gonzales
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of David Tower
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
“Inspiration doesn’t play by many rules. It rides in on the wind and
shares your coffee break. Recently during a project, a client and I got
to talking about tattoos. She mentioned a tattoo festival being held in
the Washington DC area in the coming weeks. There it was, the spark
of inspiration. I don’t have any tattoos myself but the thought of all
those people with their stories essentially written on their bodies was
something I felt an immediate pull to photograph. I’m always seeking
characters and these were characters I wanted to capture.
These portraits are so alive with stories, the backgrounds amplifying
the investment in expression. These people had amazingly detailed,
as well as personal, tattoo work, it was such a clear commitment of
time - and money - on their part. The whole experience turned out to
be a blast - talking and working with people from all walks of life
bonded by their ink. It’s been amazing to spend a few minutes with
these people and to make their portraits. I find the end product
captivating, mysterious and revealing. But, I still don’t have any
tattoos.” — Cade Martin
Photograph of Oscar Gonzalez
Framed size is 51x66
Unframed size is 41x56
Framed using plexiglass and acid free mats
By Gerald Johnson
Mixed Media
Unframed
By Gerald Johnson
Mixed Media
Unframed
By Gerald Johnson
Mixed Media
Unframed
Gerald Johnson Original
By Gerald Johnson
Mixed Media
By Gerald Johnson
Mixed Media
By Gerald Johnson
Mixed Media
By Gerald Johnson
Mixed Media
27x35
By Gerald Johnson
Mixed Media
28x35
Original Mixed Media
Original Mixed Media
By Gerald Johnson
Mixed Media
By Gerald Johnson
mixed media
By Gerald Johnson
Mixed Media
By Gerald Johnson
Mixed Media
By Gerald Johnson
Mixed Media
By Gerald Johnson
This art piece includes a photograph of John and Paul circa 1965. Gerald Johnson created this Mixed Media piece of art. He has created nearly 100 pieces for The O Museum in The Mansion.
Original Art By Gerald Johnson.
Mixed media
By Gerald Johnson
Mixed Media
By Gerald Johnson
This art piece includes a photograph of John and Yoko. Gerald Johnson created this Mixed Media piece of art. He has created nearly 100 pieces for The O Museum in The Mansion.
By Gerald Johnson
Mixed Media
Mixed media
By Gerald Johnson
Mixed Media
By Gerald Johnson
Mixed Media
By Gerald Johnson
Mixed Media
23x95
Gerald Johnson, mixed media
By Gerald Johnson
Mixed Media
First and third photographs courtesy of Cade Martin
Original Art By Gerald Johnson.
Mixed Media
Art by Kalle
Priced Here On Metal (11"x11") $75
email: give@omuseum.org to inquire for the pieces below
Print (20"x20") $60
On Canvas (30"x30") $625
Art by Kalle
Priced Here On Metal (11"x14") $75.00
email: give@omuseum.org to inquire for the pieces below
On Canvas (22"x28") $650
On Print (16"x20") $60
Original Art by Kalle
Priced Here On Metal (6”x18”) on metal
email: give@omuseum.org to inquire for the pieces below
Print $60
On Canvas (59"x12") $725
Art by Kalle
Priced Here On Metal (9"x14") $75
email: give@omuseum.org to inquire for the pieces below
Print (20"x30") $80
On Canvas (38"x60") $1300
Art by Kalle
Priced Here On Metal (11"x14") $75
email: give@omuseum.org to inquire for the pieces below
Print (16"x20") $60
On Canvas (22"x28") $650
Art by Kalle
Priced Here On Metal (11"x14") $75
email: give@omuseum.org to inquire for the pieces below
Print (16"x20") $60
On Canvas (22"x28") $650
Art by Kalle
Priced Here On Metal (11"x14") $75
email: give@omuseum.org to inquire for the pieces below
Print (16"x20") $60
On Canvas (22"x28") $650
Art by Kalle
Priced Here On Metal (11"x11") $75
email: give@omuseum.org to inquire for the pieces below
Print (20"x20") $60
On Canvas (36"x36") $725
Art by Kalle
Priced Here On Metal (11"x11") $75
email: give@omuseum.org to inquire for the pieces below
Print (20"x20") $60
On Canvas (36"x36") $725
Art by Kalle
Priced Here On Metal (9"x14") $75
email: give@omuseum.org to inquire for the pieces below
Print (16"x20") $80
On Canvas (25"x40") $725
Signed print (30 x 15)
Art by Kalle
Art by Kalle
Priced Here On Metal (11"x11") $95
email: give@omuseum.org to inquire for the pieces below
Print (20"x20") $60
On Canvas (36"x36") $895
Art by Kalle
Priced Here On Canvas (22"x28") $2650
email: give@omuseum.org to inquire for the piece
Original oil painting on recycled board (2ft x 4ft)
Original oil on recycled wood.
Together Again — Not Yet . . . by Artist Kalle
54”x55” painting on reclaimed plywood. Painted using left over house paint.
Original oil on reclaimed wood.
Original oil on recycled wood.
Art By Kalle
Oil on recycled wood, with recycled paint
email: give@omuseum.org to inquire for the pieces below
Print: $60
On Canvas: $725
Signed Chromegenic Print of Billy Bob Thornton. Photographer: Sandrine Lee.
Print only $500. Framed Print $600 + shipping
Signed Chromegenic Print of Christina Loeb. Photographer: Sandrine Lee.
Print only $600. Framed Print $800 + shipping
Signed Chromegenic Print of Sting. Photographer: Sandrine Lee.
Print only $700. Framed Print $950 + shipping
Signed Chromegenic Print of Billy F. Gibbons. Photographer: Sandrine Lee.
Print only $800. Framed Print $1,000 + shipping
Signed Chromegenic Print of Esperanza Spalding. Photographer: Sandrine Lee.
Print only $900. Framed Print $1,000 + shipping
Signed Chromegenic Print of Esperanza Spalding. Photographer: Sandrine Lee.
Print only $900. Framed Print $1,000 + shipping
Signed Chromegenic Print of The Boxmasters. Photographer: Sandrine Lee.
Print only $800. Framed Print $1,000 + shipping
Signed Chromegenic Print of Leni Stern. Photographer: Sandrine Lee.
Print only $800. Framed Print $1,000 + shipping
Signed Chromegenic Print of Jerry Lee Lewis. Photographer: Sandrine Lee.
Print only $1,000. Framed Print $1,250 + shipping
Signed Chromegenic Print of Billy Bob Thornton. Photographer: Sandrine Lee.
Print only $1000. Framed Print $1,250 + shipping
Signed Chromegenic Print of Billy F. Gibbons. Photographer: Sandrine Lee.
Print only $1,000. Framed Print $1,250 + shipping
Signed Chromegenic Print of Paul Shaffer. Photographer: Sandrine Lee.
Print only $1,000. Framed Print $1,250 + shipping
Signed Chromegenic Print of Ralph MacDonald. Photographer: Sandrine Lee.
Print only $1,000. Framed Print $1,250 + shipping
Signed Chromegenic Print of Ralph MacDonald. Photographer: Sandrine Lee.
Print only $1,000. Framed Print $1,250 + shipping
Signed Chromegenic Print of Darryl Jones. Photographer: Sandrine Lee.
Print only $1,000. Framed Print $1,250 + shipping
Signed Chromegenic Print of Darryl Jones. Photographer: Sandrine Lee.
Print only $1,000. Framed Print $1,250 + shipping
Signed Chromegenic Print. Photographer: Sandrine Lee.
Print only $1,250. Framed Print $1,500 + shipping
Signed Chromegenic Print of Billy Bob Thornton. Photographer: Sandrine Lee.
Print only $1250. Framed Print $1,500 + shipping
By Thom “Tex” Wheeler.
7"x2"
By Thom “Tex” Wheeler.
7"x2"
By Thom “Tex” Wheeler.
acrylic on canvas 40"x30"
By Thom “Tex” Wheeler.
acrylic on canvas 30"x40"
By Thom “Tex” Wheeler.
acrylic on canvas 30"x40"
By Thom “Tex” Wheeler.
metal sculpture with turquoise 20"x15"
By Thom “Tex” Wheeler.
acrylic on canvas 36"x36"
By Thom “Tex” Wheeler.
acrylic on canvas 40"x40"
By Thom “Tex” Wheeler.
oil on canvas 40"x40"
This checkered house with red Italian Spruce and happy clouds in a blue sky, uses color to depict the warmth and happiness of home.
By Thom "Tex" Wheeler.
Indian pony and colt racing into the sunset, hooves, manes and feathers flying. This painting to me expresses the power and speed of the western pony.
By Thom "Tex" Wheeler.
My appaloosa stallion is racing across the cactus studded western prairie, feathers flying under a lightning stroked ,cloud filled sky. The images on this sculpture capture my dream of the vast, beautiful and wild Southwest. There is the turtle of life, war feathers, tee pee, buffalo skull, snake dancer, flying arrows and my hand of peace that incorporate into many of my sculptures.
This sculpture is finished with marine spar varnish and can be displayed in a protected outdoor space.
Porcelain cherub made by Dresden Porcelain. Founded in 1872, the company has been dedicated to preserving and keeping alive the traditional European porcelain art style.
Porcelain Pin
Image by Jean-Honoré Fragonard (1732-1806)
Hand carved, stone container. Hinged lid opens to reveal lined inside. Stone is an orange and yellow color.
Matching lighter also avalible.
Hand carved, stone lighter. Stone is large and flat with a bright orange and yellow color.
Hand painted purple flower desgin on Victorian porcelain brooch with gold leaf detailing
Decorative porcelain figure of a dog atop a decorative pillow. Dog is white with pink collar and delicately painted flowers of pink, blue, and gold on it's white body. The pillow is white and green with matching pattern and tassels.
Signed by the author
By Susan Davis
signed print. unframed
By Susan Davis
signed print. unframed
By Susan Davis
signed print. unframed
By Susan Davis
signed print. unframed
By Susan Davis
signed print. unframed
Delicate, lace porcelain figurine of woman with pink hat and parasol. Woman is wearing a large pink dress with pink and white ruffles and floral pattern along the skirt and bodice. Hat and parasol match in both color and style.
The figurine was made by Dresden Procelain. Dresden Porcelain was founded in 1872, the company has been dedicated to preserving and keeping alive the traditional European porcelain art style.
By Susan Davis
signed print. unframed
Signed
Limited edition sighned lithograph arches paper.
Limited edition sighned lithograph arches paper.
Limited edition sighned lithograph arches paper.
Two available (priced individually)
Delicate, lace porcelain figurine of woman with large pink and white dress. Woman is wearing a large white dress with eelaborate pink and white ruffles. She has a single flower attached at her waist, and a gold piece in her hair.
The figurine was made by Dresden Procelain. Dresden Porcelain was founded in 1872, the company has been dedicated to preserving and keeping alive the traditional European porcelain art style.
Offered here is a vintage Florence Ceramics figurine which is a very rare and desirable collectible.
The piece is about 9 inches tall and 7-1/4 inches wide. The figurine features a figure of a young lady in a blue dress, sitting on a pedestal with marble coloration, reading a letter that begins with, "Dear Ruth".
The figurine comes to you in wonderful condition with no chips, cracks or visible repairs. The bottom is marked with a Florence Ceramics ink stamp and incised "Dear Ruth".
This is a marvelous piece for the serious bidder and/or collector of rare Florence Ceramics pieces. This piece usually is labeled a TV lamp in the Florence Ceramics catalogs, but this example is NOT equipped as such. RARE in any form. On Ebay at $450.
Vintage, mechanical, cast iron bank with baseball scene. Includes three figures dressed in baseball uniforms of yellow, red, and blue. One pitcher, one hitter, and one catcher.
Unique, handblown glass sculpture of women's hat. Hat has tortoise shell pattern and wide brim on which two glass, yellow flowers rest.
Native American sterling silver and marcasite stud earrings with large, polished green stone.
Watercolor, oil painting, frame included
Unique wooden egg with yellow background and signature of the artist on one side and an incredibly detailed depiction of the Madonna and Child on the other. The Madonna and Child are shown in the typical Renaissance style associated with the image.
Shucks! Lets' All get some Sleep an' Tackle it Ag'in When We're Fresh
By Paul Webb (American b 1902)
Charcoal and Crayon
22-1/2 x 1
Carving of Inuit individual made out of gray, marbled soapstone
Bronze statue of male figure. He is dressed in the atire of a Depression-era worker with work shirt and flat cap. He is carrying something large and unidentifiable in his arms.
Realistic, large, ceramic fox statue. It is painted in yellow and orange colors, matching a fox's fur with detailing on ears, nose, mouth, and around the eyes. The chest is painted white. Fox is sitting upright with its tail curled around itself.
Original, abstract watercolor of a figure bent over a pair of drums. The art is done mostly in black, yellow,
Pair of bookends featuring two traditional Chinese figures leaning on a book which is standing on its end. Each figure is kneeling on top of two other books to its side. The figures are dressed in Western depictions of traditional Chinese clothing with red and gold patterns. The books have a similar and matching pattern on their covers.
Image of Madonna and Child set on blue velvet with gold frame. Image also uses blue and gold images around the two figures and in other detailing.
Sterling silver statue of rabbi dancing with joy on large, orange stone base. Approximately six inches high
hand painted from late 1800's
Copyright 1904 by Hayes Lithograph. CO., in original antique frame
Handpainted Lithograph
Vintage architectural cement pedestal for garden. A rare beauty! Approximately 50 feet high with floral designs.
Thomas McKinght
Clarke Avenue
Screenprint in Color
138/200
Framed 32in x 34 in
Lithograph
Painting by famed American artist C.M. Coolidge. This painting depicts dogs dressed as late 19th-early 20th century men playing poker on a train car.
C.M. Coolidge was famous for this trope in his artwork. This painiting, originally done in 1903, is part of the larger "Dogs Playing Poker" collection for which Coolidge earned most of his accliam.
Painting by American artist C.M. Coolidge depicting dogs sat around a poker table with cards, cigars, and drinks.
C.M. Coolidge was famous for this trope of dogs engaged in human activity in his artwork. Painted sometime before February of 1909, Coolidge originally titled this painting Judge St. Bernard Stands Pat on Nothing, but Brown & Bigelow’s marketers renamed it to its current form.
By Susan Davis
signed print. unframed
framed: $700
Lithograph
Unique painting and carving on wood
Monastery of San Juan Diego painting done on wood. It is unique and filled with love.
It depicts the saint in blue and gold robes holding a bowl in one hand and a palm leaf branch in the other. Over his left sholder a white dove flies.
San Juan Diego was the first saint to be cannonized who was indegneous to the Americas. He is said to have received several visions of the Virgin Mary.
Oil painting
oil painting
by Hussey
Artist Cindy Ridalfino
framed original art
Meissen-style monkey figurine dressed in 18th century atire: pink and yellow suit with blue jacket and matching hat. The monkey is holding a violin. It is part of a larger collection that includes the rest of the band.
This piece is part of the singerie genre, which was a satire movement that was at it's height in the mid-18th century. The name is derived from the French words for "Monkey Trick" and often depicted monkeys or apes dressed in human clothes and participating in human activities.
Meissen-style monkey figurine dressed in 18th-century attire: pink and shirt with green pants and black tricorn hat. The monkey has a red and yellow drum on its arm and is holding drumsticks in its hands. It is part of a larger collection that includes the rest of the band.
This piece is part of the singerie genre, which was a satire movement that was at its height in the mid-18th century. The name is derived from the French words for "Monkey Trick" and often depicted monkeys or apes dressed in human clothes and participating in human activities
Meissen-style monkey figurine dressed in 18th-century attire: white, blue, and red shirt with purple pants, and a long yellow jacket. The monkey has some kind of reed instrument or flute brought to its mouth as if it is playing it. The figure is part of a larger collection that includes the rest of the band.
This piece is part of the singerie genre, which was a satire movement that was at its height in the mid-18th century. The name is derived from the French words for "Monkey Trick" and often depicted monkeys or apes dressed in human clothes and participating in human activities.
Meissen-style monkey figurine dressed in 18th-century attire: pink and blue shirt with matching n pants, jacket, and a black tricorn hat. The monkey has a grey instrument resembling bagpipes in its arms. The figure is part of a larger collection that includes the rest of the band.
This piece is part of the singerie genre, which was a satire movement that was at its height in the mid-18th century. The name is derived from the French words for "Monkey Trick" and often depicted monkeys or apes dressed in human clothes and participating in human activities
Paul McCartney photographed by Richard Avedon in a NASA Mercury Space Suit. It was photographed in April 1965 for Harper's Bazaar Magazine.
Avedon photographed for Harpers Bizarre then worked for Vogue for 20 years. He was the first staff photographer at The New Yorker.
Czechoslovakian, 1936 -
Etching, in excellent condition
Image size: 38.5 x 30
Frame size: 43.5 x 35.5
Edition: size: 23/75
The faces and torso of two women - one looking at the viewer, the other in profile with ghost images are suspended in the grey washes of the inks.
Signature: lower center, dedicated in plate to Irene Gerling
by Steven Gottlieb
Pastel on Paper
artist: Vladian Hogea
Russian Icon of The Mother of God: 12-1/4 in
During WWII images of a man called Uncle Sam were used to promote national interest and security across the country. Prints were made to promote security in plants that were producing war materials under a government contract.
This specific poster was inspired by the 1917 “I Want You for the U.S. Army” poster created by James Montgomery Flagg.
Original Lithograph
Photograph courtesy of B Schreibstein
On August 11, 1967 Richard Avedon photographed The Beatles in London. He took many photos that day including this one. Avedon photographs for Harpers Bizarre then worked for Vogue for 20 years. He was the first staff photographer at The New Yorker.
Pastel
by Michael Douglas Jones
Oil on board, 1990
Bronze
Oil painting
30" x 74" framed, a garden of tulips in various colors, signature on verso, excellent condition
Vintage Hungarian Clock & Sculpture
Oil on canvas
An actual Cell from the Beatles' Yellow Submarine movie. A rare cell that includes all four Beatles.
By W. Hemmerling
Oil on recycled wood, with recycled paint
By I Sister R.
Oil on recycled wood, with recycled paint
Written on the perimeter of the painting:
A walk in the oleanders
My friends are my estate – Emily Dickenson
by Casey Johnson
Known as one of the greatest instrumentalists in rock music history, Jimi Hendrix was also a great artist. His traditional museum quality paintings and sketches from age 12-17 are on exhibit at the Rock and Roll Hall of Fame in Cleveland, Ohio. Beyond his teens he created primarily abstract art as seen here. This piece was donated by the family.
Acrylic Sculptur
acrylic on wood
by Sam Gilliam
signed on back